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Unplug to Reconnect

For three weeks in early 2014, I travelled to Mexico to study printmaking with Maestro Enrique Flores, experiment with different kinds of art making, and to make new photographs that capture the color and energy (not to mention the sun!) of this beautifully diverse country. This is the second post of a series from that trip.

When people learn I was in Mexico – or any extended trip to another country, for that matter – they often ask, “Did you go for work or vacation?”
It’s certainly a vacation from my regular life: house chores, work obligations, social engagements and distractions, Seattle weather, the internet. But I do consider it work, even though no one is paying me to go. It’s purposeful effort that can leave you exhausted and exhilarated. It’s work  to willfully disorient yourself by going to a place you do not know, where the culture and language are different from what you are accustomed to. It’s work to reprogram your brain to look, observe and absorb in order to create.
On this recent trip, I spent everyday walking and looking, often lingering to observe more closely, sometimes stopping to draw, photograph or write about what was in front of me. Back in my regular life, I often just browse. It’s harder to fully immerse myself into anything because something always beckons: a ding signaling a text on my phone; another email topping my inbox; a link to something else, just one click away.
But out in the physical world, what beckons are the subtle shades of green of the stones in a wall, the entrancing patterns formed by tiles, arches, even empty plastic bottles. Over these shapes, my eyes crawl, caressing every crevice and bump, gliding on edges. I fall into their rhythm and nothing else exists.

All images on this page and within this website are Copyright Carina A. del Rosario, all rights reserved. For inquiries about purchasing prints or licensing use, please contact carina@cadelrosario.com

Channeling Spirits

For three weeks in early 2014, I travelled to Mexico to study printmaking with Maestro Enrique Flores, experiment with different kinds of art making, and to make new photographs that capture the color and energy (not to mention the sun!) of this beautifully diverse country. This post is part of a series from that trip.

First Stop: Mexico City

For many artists, there’s a certain amount of “priming the pump” before the creative juices start to flow. I headed to Mexico City and Coyoacan to do just that. I visited El Museo Nacional de Culturas Populares and lost myself among all the characters in Saner y Sego’s mural. I stumbled upon El Centro Cultural del Mexico Contemporaneo and studied closely different printing techniques on dozens and dozens of contemporary work. Wandering around El Museo de Frida Kahlo, I entered into a womb of intense color and artistry. Embroidered bedcovers and shawls, painted bowls and tiles, carved spoons and doors, embellished shoes and casts — every-day objects with their own distinct purpose, but also representing a reaching for beauty. For Frida Kahlo and Diego Rivera, perhaps this is how the pump was kept primed; the habit of bringing a bowl to one’s lips, wrapping a shawl around one’s shoulders, is already an ingesting, a donning of inspiration.

 

All images on this page and within this website are Copyright Carina A. del Rosario, all rights reserved. For inquiries about purchasing prints or licensing use, please contact carina@cadelrosario.com